Terminal Island
The Inujima Rehabilitation Art Project on the island of Inujima, Japan
Nauru government runs out of money and may shut services (Australian Broadcasting Corporation)
'The Obesity Epidemic in the Pacific Islands' an article by Michael Curtis, Journal of Development and Social Transformation
41 Artists withdraw from 19th Biennale of Sydney due to expanding management of Manus Island and Nauru immigration detention centres
Tuesday, February 25, 2014 Statement of Withdrawal from 19th Biennale of Sydney STATEMENT OF WITHDRAWAL 26 February 2014 We are five of the 41 artists - Libia Castro, Ólafur Ólafsson, Charlie Sofo, Gabrielle de Vietri and Ahmet Öğüt - who signed a letter to the Board of the Biennale of Sydney in relation to their founding sponsor, Transfield. We make this statement in light of Transfield’s expanding management of Manus Island and Nauru immigration detention centres. We act in the wake of the death of Reza Berati from inside Manus Island detention centre on February 17. We are in urgent political circumstances with a government that is stepping up their warfare on the world’s most vulnerable people daily. We have received indications from the Board of the Biennale and Transfield that there will be no movement on their involvement in this issue. In our letter to the Board we asked for action and engagement, but we are told that the issue is too complex, and that the financial agreements are too important to re-negotiate. And so we make this statement from a critical juncture of political urgency and artistic autonomy. This is a statement of our withdrawal from the 19th Biennale of Sydney. We have revoked our works, cancelled our public events and relinquished our artists’ fees. While we have sought ways to address our strong opposition to Australia’s mandatory detention policy as participants of the Biennale, we have decided that withdrawal is our most constructive choice. We do not accept the platform that Transfield provides via the Biennale for critique. We see our participation in the Biennale as an active link in a chain of associations that leads to the abuse of human rights. For us, this is undeniable and indefensible. Our withdrawal is one action in a multiplicity of others, already enacted and soon to be carried out in and around the Biennale. We do not propose to know the exact ethical, strategic or effective action to end mandatory detention, but we act on conscience and we act with hope. We have chosen to redirect our energies into multiple forms of action: discussions, workshops, publications, exhibitions and works that will continue to fuel this debate in the public sphere. In this, we stand with our local and international communities that are calling for the closure of Australia’s offshore detention facilities. We ask for their active support in keeping this issue at the forefront of our minds, in the warmest part of our hearts, in the most urgent of discussions and in the most bold of actions, until the detention centres on Manus Island and Nauru close. We withdraw to send a message to the Biennale urging them, again, to act ethically and transparently. To send a message to Transfield that we will not add value to their brand and its inhumane enterprise. Finally, and most importantly, we withdraw to send a message to the Australian Government that we do not accept their unethical policy against asylum seekers. We ask that the Biennale of Sydney acknowledge the absence of our work from the exhibition. As the Biennale has offered to provide a platform and support for our dissent, we request that our withdrawal be registered on the Biennale website and signposted at the physical site of our projects. In the pervasive silence that the Government enforces around this issue, we will not let this action be unnoticed. We act in solidarity with all those who are working towards a better future for asylum seekers. We hope that others will join us. Libia Castro Ólafur Ólafsson Charlie Sofo Gabrielle de Vietri Ahmet Öğüt Contact: 2014workinggroup@gmail.com
Mingingo Island, Lake Victoria
Migingo is a tiny 2,000-square-metre island, about half the size of a football pitch, in Lake Victoria. Two Kenyan fishermen, Dalmas Tembo and George Kibebe, claim to have been the first inhabitants on the island. When they settled there in 1991, it was covered with weeds and infested with birds and snakes. Joseph Nsubuga, a Ugandan fisherman, says he settled on Migingo in 2004, when all he found on the island was an abandoned house. Subsequently, other fishermen — from Kenya, Uganda and Tanzania — came to the island because of its proximity to fishing grounds rich with Nile perch. An unusual claim in 2009 by some Kenyan fishermen was that since none of the Nile perch breed in Uganda (the nearest Ugandan land and nearest Ugandan freshwater is 85 kilometres away), then the fish somehow "belonged to Kenyans". The island has a population of about 131 (according to 2009 census), mostly fishermen and fish traders, who are served by four pubs, a number of brothels, and a pharmacy on the island. A rocky and rugged piece of land with little vegetation, Migingo is one of three small islands in close proximity. The much larger Usingo Island is 200 metres to the east of the small white rectangle that is Migingo, and Pyramid Island, the largest of the three, is 2 kilometres due south of Migingo and 11 kilometres north of the Tanzanian border in Lake Victoria.